| Title |
Description |
Track # (timing) |
 |
| Ready to Ride |
Synth, accordion and ethnic string effects catapult into strong beats with string accompaniments. High strings take a melodic role with low strings adding delayed stabs. A synth bass break down builds back into the beat with strings doubled by low brass. |
 1 (2:20 - Full mix)
14 (:60 - 60 second)
27 (:30 - 30 second)
|
| We Are Great |
Pulsing synths interplay with orchestral strings and a haunting melody. Strings take the melody at the beginning with with synth filters swirling around the theme. Hi hat introduces an old school beat. Heavy guitar later gives some thickness as a piano plays arpeggios overtop. |
2 (1:57 - Full mix)
15 (:60 - 60 second)
28 (:30 - 30 second)
|
| Formal Trance |
Mysterious melodies with big beats, hi filtering synths and modified orchstra. High violins take the initial melody with low strings stabbing in the background. The B section roles in with programmed orchestral cutoffs giving an interesting hip hop flair to the traditional soun all over a steady rap beat with big hits at the end. |
3 (1:31 - Full mix)
16 (:60 - 60 second)
29 (:30 - 30 second)
42 (1:31 - No orchestra)
|
| Whatever It Takes |
Ethnic vocal effects and instrumentation over a dark hip hop beat with orchestra backdrop. Orchestral strings play the theme into an 808-drum beat with ethnic vocal effects adding some curiousity. Guzheng plays some additional ethnic fills then morph into a choppy low string and brass pulse with high string melody. |
4 (1:54 - Full Mix)
17 (:60 - 60 second)
30 (:30 - 30 second)
|
| Don't Play About Mine |
Stadium beats morph into pounding orchestra with synth filters and noises. Stadium drums and shaker lead into a big hit followed by 808 drums and orchestral string melodies. Brass follows with heavy stabs along with hi synth filters and noises. An ethnic string makes a brief interruption before heading to the main theme. |
5 (2:14 - Full mix)
18 (:60 - 60 second)
31 (:30 - 30 second)
|
| Gotta Get Away |
A dark hip-hop tune with piano driven verses and an adgy chorus. Tubular bells sound at the front leading to a piano verse with sparse beat. The chorus stems out with added heavy guitars and broken string parts. The second verse section is built up with choir and a more complex drum beat. |
6 (2:02 - Full mix)
19 (:60 - 60 second)
32 (:30 - 30 second)
|
| Leader of the Band |
A driving dark track with love grinding strings and a heavy beat. Synth effects creep into a slow, but heavy "4 on the floor" beat with low sinister strings. Higher strings join in to give some melody to the moody trac. The sparseness cuts through to a big rise with abrupt ending followed by a hit. |
7 (2:00 - Full mix)
20 (:60 - 60 second)
33 (:30 - 30 second)
|
| Sudden Blast |
Huge brass blasts combined with modern dance beats and synth effects. Big brass stas join the opening synth pulse as programmed drums filter into a steady beat. The brass dissipates giving way to a synth and drum breakdown section leading to an explosive brass ending. |
8 (1:39 - Full mix)
21 (:60 - 60 second)
34 (:30 - 30 second)
47 (1:39 - No orchestra)
|
| Feelin' Okay |
Syncopated string and beat rhythms with slow vocal and bass effects. Slightly out of tune strings with synth create an uneasy feeling with syncopated programmed beats underneat. A timpani roll announces a sustained string rise with light rhythmic synth elements. |
9 (1:59 - Full mix)
22 (:60 - 60 second)
35 (:30 - 30 second)
|
| In the Middle |
Big piano hits over a sparse beat with dark melody. Single piano notes stab and sustain over a moody bass line with brass and strings slowly entering in. The track guilds with increased string activity then quickly resolves creating a push and pull effect. The brass step up the melody role toward the end with orchestral percussion effects. |
10 (2:09 - Full mix)
23 (:60 - 60 second)
36 (:30 - 30 second)
|
| I Am the Streets |
Monotonous guitar melodies combine with fun hip hop beats and orchestral elements to create a dark track. The electric guitar starts it off over a programmed beat and low droning strings. The guitar and orchestra give way to the synth and drums briefly then return to the main theme with added choir. The strings grow with a dynamic melody building to a large climax. |
11 (2:00 - Full mix)
24 (:60 - 60 second)
37 (:30 - 30 second)
|
| Red Carpet |
An upbeat electronic track with orchestral strings adding a ton of flair. Low fuxx synth bass pounds out the rhythm with drums quickly joining in. High strings erupt with a glossy melody with dance beats thumping underneat. Low string rises break up the track from section to section while brass increase the intensity with heavy hits. |
12 (1:49 - Full mix)
25 (:60 - 60 second)
38 (:30 - 30 second)
|
| Shatter the Twilight |
An intense hip hop track with dance beats, rock guitar and action orchestra. Programmed beats combine with low orchestral bass movement while synth elements are slowly added in. Electric bass increases in intensity with a slow brass section rise leading into an intense chorus section with heavy electric guitar. The track lightens for another verse with more intense synth elements and an even heavier chorus section. |
13 (1:36 - Full mix)
26 (:60 - 60 second)
39 (:30 - 30 second)
52 (1:36 - No Orchestra)
|
| Ready to Ride |
Synth, accordion and ethnic string effects catapult into strong beats with string accompaniments. High strings take a melodic role with low strings adding delayed stabs. A synth bass break down builds back into the beat with strings doubled by low brass. |
40 (2:20 - With vocals)
|
| We Are Great |
Pulsing synths interplay with orchestral strings and a haunting melody. Strings take the melody at the beginning with with synth filters swirling around the theme. Hi hat introduces an old school beat. Heavy guitar later gives some thickness as a piano plays arpeggios overtop. |
41 (1:57 - With vocals)
|
| Whatever It Takes |
Ethnic vocal effects and instrumentation over a dark hip hop beat with orchestra backdrop. Orchestral strings play the theme into an 808-drum beat with ethnic vocal effects adding some curiousity. Guzheng plays some additional ethnic fills then morph into a choppy low string and brass pulse with high string melody. |
43 (1:54 - With vocals)
|
| Don't Play About Mine |
Stadium beats morph into pounding orchestra with synth filters and noises. Stadium drums and shaker lead into a big hit followed by 808 drums and orchestral string melodies. Brass follows with heavy stabs along with hi synth filters and noises. An ethnic string makes a brief interruption before heading to the main theme. |
44 (2:14 - With vocals)
|
| Gotta Get Away |
A dark hip-hop tune with piano driven verses and an adgy chorus. Tubular bells sound at the front leading to a piano verse with sparse beat. The chorus stems out with added heavy guitars and broken string parts. The second verse section is built up with choir and a more complex drum beat. |
45 (2:02 - With vocals)
|
| Leader of the Band |
A driving dark track with love grinding strings and a heavy beat. Synth effects creep into a slow, but heavy "4 on the floor" beat with low sinister strings. Higher strings join in to give some melody to the moody trac. The sparseness cuts through to a big rise with abrupt ending followed by a hit. |
46 (2:00 - With vocals)
|
| Feelin' Okay |
Syncopated string and beat rhythms with slow vocal and bass effects. Slightly out of tune strings with synth create an uneasy feeling with syncopated programmed beats underneat. A timpani roll announces a sustained string rise with light rhythmic synth elements. |
48 (1:59 - With vocals)
|
| In the Middle |
Big piano hits over a sparse beat with dark melody. Single piano notes stab and sustain over a moody bass line with brass and strings slowly entering in. The track guilds with increased string activity then quickly resolves creating a push and pull effect. The brass step up the melody role toward the end with orchestral percussion effects. |
49 (2:09 - With vocals)
|
| I Am the Streets |
Monotonous guitar melodies combine with fun hip hop beats and orchestral elements to create a dark track. The electric guitar starts it off over a programmed beat and low droning strings. The guitar and orchestra give way to the synth and drums briefly then return to the main theme with added choir. The strings grow with a dynamic melody building to a large climax. |
50 (2:00 - With vocals)
|
| Red Carpet |
An upbeat electronic track with orchestral strings adding a ton of flair. Low fuxx synth bass pounds out the rhythm with drums quickly joining in. High strings erupt with a glossy melody with dance beats thumping underneat. Low string rises break up the track from section to section while brass increase the intensity with heavy hits. |
51 (1:49 - With vocals)
|
